The Message and the Medium: Impact of Cognitive vs. Perceptual Aspects of Delivery on Audience Engagement
Antona M., Stanton Fraser D., Gilchrist I. (2025)
Carter F., Gilchrist ID., Stanton-Fraser D. (2025)
From story to heartbeats: Physiological synchrony in theater audiences
Carter F., Richardson M., Levordashka A., Campbell S., Samuels B., Stanton Fraser D., … Gilchrist I. (2024)
Cork A., Richardson M., Lukosch H., Khamis M., Katins C., Krauß V., … Stanton Fraser D. (2025)
Gilchrist ID., Armstrong M. (2023)
Narrative predicts cardiac synchrony in audiences
Hammond H., Armstrong M., Thomas GA., Dalmaijer ES., Bull DR., Gilchrist ID. (2024)
On the Immersive Properties of High Dynamic Range Video
Hinde S., Noland K., Thomas G., Bull D., Gilchrist I. (2022)
Trace: A research media player measuring real-time audience engagement
Levordashka A., Richardson M., Hirst RJ., Gilchrist ID., Fraser DS. (2025)
Measuring real-time cognitive engagement in remote audiences
Levordashka A., Stanton Fraser D., Gilchrist ID. (2023)
The Grinning Man: A Musical Virtual Reality Performance
Richardson M., Campbell S., Gilchrist I., Stanton Fraser D., Bell J., Efergan D., … Morris T. (2025)
Adapting a Live Streamed Digital Theatre Experience Using Physiological Synchrony
Richardson M., Carter F., Levordashka A., Gilchrist I., Fraser D. (2025)
Methods used to study audience experience of screen-based media: A scoping review
Richardson M., Carter F., Levordashka A., Voinescu A., Gilchrist I., Stanton Fraser D. (2025)
Richardson M., Cork A.G., Stanton Fraser D., Proulx M.J., Pan X., Krauß V., … Lukosch H. (2024)
When hearts beat together: Measuring immersion in live theatre
Richardson M. (2023)